Eugene Thacker and ‘Bio-Art’ — Monday, Nov. 24 —

21 Nov

Eugene Thacker 11-24-08, 4pm at Smith Hall 205

One of the premier American analysts of bio-art and biopunk (he co-authored Biotech Hobbyist with Natalie Jereminjenko) and the power dynamics of networked culture (he co-authored The Exploit with Alexander Galloway) will be giving a talk Monday, 11-24-08, for my “Biofutures” class, 4 PM, Smith 205 and all are invited.

Eugene Thacker on bio-aesthetics:

But what if biotech is not really about hyper-rationality, but really about something else – like aesthetics, for instance? I mean, yes, on a certain level biotech is very obviously the instrumentalization of life, and one can easily show this, from archaic practices of animal domestication and breeding to the most high-tech nano-sciences, what would change would simply be the episteme and its corresponding mode of valuation (thus there would be a biotech era corresponding to each stage in capitalist development – an agrarian biotech, an industrial biotech, a post-industrial or post-Fordist biotech, maybe even a post-caplitalist biotech). And today, the techophilic emphasis on the convergence between biotech and infotech, along with the globalized pharmaceutical industry’s bottom-line mentality, certainly points to this ‘after-party’ feeling. Yes, but I wonder. I think about cloned mammals (the failures as well as successes), human ears grown on the back of a mouse, lab-grown organs on specially-designed polymer scaffolds, 3-D data-viz for genomics, custom-tailored bio-pharmaceuticals, ‘genetic design’, plasmid libraries, hybridomas – it seems we haven’t really considered the aesthetics of the biotech industry. It is at once abject and sublime. So you want to see bio art?, I’ll show you bio art (and it sells, too)!

see more of the conversation at:


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